A few decades have generated a distinct visual style as iconic as psychedelic art in the 1960s. A single glimpse at a legendary psych album cover or gig poster can transport the observer to San Francisco during the Summer of Love. While psychedelia drew inspiration from previous movements such as Art Nouveau, Surrealism, and Pop Art, its high-voltage colors, mind-bending style, and otherworldly perspective explored wholly new terrain. Perhaps this was because the country around it was also stumbling into new territory.
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America was changing. Between 1945 and 1957, 67 million kids were born in the postwar period. They were entering adulthood in the mid-1960s, having grown up during an incredible economic boom. Meanwhile, America slogged farther into an aggressive war that would claim 50,000 American lives with little to show for it. Domestic conflicts were also brewing: civil rights, women’s liberation, and the sexual revolution gained traction. Concerns about nuclear weapons evolved in tandem with environmental awareness. A lot was going on.
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Faced with a complex world and an uncertain future, Baby Boomers abandoned the 50s-era pillars of unrestrained capitalism, material gain, and adherence to conservative ideals. Instead, they took inspiration from Eastern religion, cherry-picking various aspects of mysticism and meditation. They valued the spiritual over the material, and they accepted it freely and mind-altering drugs such as LSD, psychoactive, and psychedelics. Musicians, writers, and artists are at the forefront of the movement.
The trend was well aligned with the increasing inventory of psychoactive drugs. In 1958, psychiatrist Humphry Osmond, a pioneer in studying hallucinogens’ effects on the brain, coined the name psychedelic by combining the Latin words for “thought” and “awaken.” As labs began to produce LSD and mushrooms became more readily available, creatives of all stripes began to dope up to jumpstart their ideas. Stream-of-consciousness writing became prevalent in literature. Music became more fluid and improvisational, resulting in wandering grooves and trippy, ambiguous sounds.
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Similarly, artists began to reproduce their travels in their work. The visual effects of psychedelics were replicated by retina-bending fractal designs, swirls, and spirals. They superimposed fancy typefaces on top of very brilliant and startling colors. The completed pieces buzzed with electricity and fooled the eyes with optical illusions, frequently appearing to melt right off the page.
This new aesthetic fits in wonderfully with bands like “The Grateful Dead” and “The Doors,” providing a visual language to accompany their sound. Concert posters were the primary vehicle for the style, and psychedelia quickly covered every major city’s streets and bulletin boards.
Wes Wilson created a now-iconic string of posters for The Fillmore Auditorium in San Francisco, featuring acts such as “Jefferson Airplane, The Steve Miller Band, and The Grateful Dead.” To make his works “vibrate,” Victor Moscoso sketched undulating forms in brilliant and clashing tones. His work included advertising and comic books, in addition to concert posters like Big Brother and the Holding Company and Quicksilver Messenger. To enjoy this creativity with the class, you can now buy shrooms online and enjoy the mystery of nature.
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Many people believe 1967 to be the pinnacle of the psychedelic era. Sgt. Pepper’s Lonely Hearts Club Band released Sgt. Pepper’s Lonely Hearts Club Band All of Jimi Hendrix’s, The Grateful Dead’s, Janice Joplin’s, and The Who’s debut albums were bombshells. About 100,000 young hippies descended to San Francisco’s Haight Ashbury during the summer of Love.
The business world circled and moved in, sensing profit. General Electric collaborated with artist Peter Max to produce a range of colorful clocks. The cover of Life Magazine’s September 1, 1967 issue featured psychedelia. Campbell’s Soup has released posters that will make your wall “souper-delicious.”
The descent had begun. Many of psych music’s brightest young stars would sadly die during the next few years. The Haight-Ashbury scene would fall apart. As the 1970s began, the hippies matured and abandoned their youthful optimism of the previous decade. Tastes evolved as the world did, and this has given room for users to buy shrooms online.
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Today, however, we are witnessing a modern psychiatric renaissance. Drugs like psilocybin have become less stigmatized as attitudes and legislation have become more permissive, shedding stigmas in light of their numerous potential advantages. Naturally, this increased interest has resulted in a revival of classic psych iconography.
For example, one of psych’s most prominent modern artists, Alex Grey, blends a meticulous study of human anatomy with the influences of his entheogenic travels. The end effect is a series of hypnotic, detailed, multi-hued portraits. Modern computers enable artists to push the boundaries of psychedelia even further, making patterns and other designs that would be impossible for a human to produce on their own. Psychedelia isn’t only making a comeback; it’s also evolving, and we can’t wait to see where it goes. The joy is you can now buy shrooms online and dispensaries in Canada.
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